Showing posts with label relatable characters. Show all posts
Showing posts with label relatable characters. Show all posts

Writing: How to Create Relatable Characters / Sympathetic Characters

How to Create Relatable Characters (aka Sympathetic Characters)
Developing relatable characters is part of the character development process.

An editor once stressed on how 'relatable' one of my main characters was. Since I had not yet begun to systematically learn about the art of writing, I struggled to figure out what having a 'relatable character' really meant. Understanding his statement became important to me because I wanted to consistently accomplish this writing goal.

My current understanding on the matter is that you must do several things. This includes getting readers to understand a character's point of view (POV) and to empathize emotionally with characters. For instance, if you are writing a novel, illicit empathy not merely by explaining what happened but also by sharing ‘how a character felt’. Your words should emotionally engage readers so that they re-live character experiences as much as possible. This is possible even if the experience and emotions are not part of their personal lives. For instance, writers might use techniques like metaphorssimiles and symbols that readers can already understand.
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Even antagonists need to be developed to some extent. Specifically, although you will not get into as much detail, an antagonist’s point of view must be sufficiently clear to make him realistic. In other words, the antagonist should have understandable reasons to feel that his / her view is justifiable. Ultimately, this makes him relatable, even if loath-worthy. 

Depending on which support your story's theme, highlight relevant character dimensions to get readers to develop a deeper understanding of the character. See this blog's current list of character dimensions.

CJ,
Once Upon a Writing Block

Writing Plan: Character Development


The single most important story element that keeps readers engaged is the main character. On that basis, the protagonist should be developed into an understandable, relatable and if possible, likable character. To a lesser extent, this is often true for other key characters like the antagonist.

Character Development

One of the earliest stages of planning a well developed character involves highlighting the different dimensions of a character. However, it is worth saying that, while writers want to create characters that are as fully developed as possible, only dimensions that can support the theme and demonstrate the character arc need to be revealed.

The most common dimensions used in character development include the following.
  • Character Flaws: Character flaws are generally considered to be the basis for the most powerful character arcs. They often involve issues like fears, unethical viewpoints, an inability to overcome bad experiences and other internal conflicts. Creating flaws that directly impede a character's ability to achieve her goals are particularly compelling. Besides, imperfect people are generally more intriguing and therefore make more relatable characters. They require some change.
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  • Character Idiosyncrasies & MannerismsCharacter Idiosyncrasies add intrigue and even humour to otherwise dull, overly predictable characters. 

Example: In the Wallace & Gromit movie The Curse of the Were Rabbit, the vicious antagonistic dog carried a little pink purse with a dainty clip.
Example: In Amadeus, Mozart's silly laughter helped to highlight what Salieri saw as Mozart's irreverent use a divine gift of talent. Salieri saw it as God's laughter at him. To Salieri, God was mocking him despite his (Salieri's) reverence, lifelong sacrifice and pacts with God to develop at least a fraction of that talent. Although its repetition was a reminder of the reason that Salieri wanted to kill Mozart, it characterizes Mozart as silly and unworthy of a great gift.
  • Character Background: This may involve some demographic details as the following. 
- Education
- Occupation, Socioeconomic background 
Example: In My Fair Lady, the fact that Professors Higgins and Pickerin are highly educated linguists who have friends in high places provides the contrast required to understand their contemptuous behaviour towards Eliza Doolittle, a poor 'common flower girl' whose uneducated speech makes a lady from the high society faint. 


  • Physical appearancePhysical appearance should be given with vivid descriptors that engage the readers' senses to create a character that is tangible, visible, audible and so on. Use  descriptors that are unique to characters, ie are unusual. 

Example: Rumplestiltskin had unusually long hair.
Example: Austin Powers was short and had a very hairy chest and bad teeth. 
  • General Temperament:
  • Culture & Key Points of View: Politics, Religion, Values
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  • Likes, Dislikes & Hobbies:
  • Goals: It is very important to highlight the character's hopes & dreams. This allows readers to understand the basis for characters' actions and measure characters' progress.
  • Ghost: The character’s ghost, ie some mysterious baggage in the past gives characters depth and develops suspense that creates questions (a suspense device) in the minds of readers.


What's Next?

After this character development stage, consider these steps in the following order.
However, before moving on, consider the following aspects of character development while tackling the action points in this post.
Additionally, by this character development stage of your writing plan, you should have already completed the following steps.


CJ,
Once Upon a Writing Block